Schumann's wrote 13 Scenes From Childhood. The titles of the pieces are also the titles of the 5 Lines and The Scenes. In the next few posts I will refer to the pieces by number. Here, for reference, are the titles:
1. About Strange Lands and People
Von fremden Ländern and Menschen
2. Curious Story
Kuriose Geschichte
3. Blindman's Bluff
Hasche-Mann
4. Pleading Child
Bittendes Kind
5. Perfectly Contented
Glückes genug
6. Important Event
Wichtige Begebenheit
7. Reverie
Träumerei
8. At the Fireside
Am Kamin
9. The Knight of the Rocking-horse
Ritter vom Steckenpferd
10. Almost Too Serious
Fast zu ernst
11. Frightening
Fürchtenmachen
12. Child Falling Asleep
Kind im Einschlummern
13. The Poet Speaks
Der Dichter spricht
Tuesday, 28 October 2014
Saturday, 25 October 2014
Artist Statement - Scenes From Childhood: Schumann in Line and Colour
I have long wondered about simultaneous attention to more than one sensory experience and how successfully we can absorb two things at once, most particularly visual art and music. I attended a concert in a very ornate church setting with abstract visuals being performed along with the music and found that I could hardly hear for seeing. I have also attended many music performances in a visually unobtrusive setting and my imagination fills the space I am seeing while I listen. When invited to do some kind of visual work to be presented with a piano and literary performance, I was delighted to play with this idea of attention as well as interpreting the pieces.
The Five Lines starting point is the staff; the lines that are home to the notes and determine their identity. Unlike music notation, these lines bend, loop, and cross to become somewhat representative of the themes of each piano piece. They were initially intended to be part of the paintings, but my ideas took a turn and they remained independent pieces.
The Scenes paintings are layered colour, figures, and objects partially obscured by the mists of memory and shadows. In A World Elsewhere Wayne Johnston writes about early childhood memory this way:
Landish told him that you passed from the Womb of Time into what he
called your birth "Murk", which was the interval between your "commencement
screech" and the first moment of your life that you remembered. No two Murks
were of the same duration.
The figures in these paintings are not all pre-memory age, but adults have a difficult time pinning down aspects of their childhoods (not to mention what happened last month). The figures are placed in a world of colour, randomly applied. Objects - collections - appear, as do shadows; there is a little darkness in everyone's childhood. And there are obscuring layers of white, erasing some details and fogging others.
The paintings might be described as quiet. That will be perfect if they help the viewers hear.
Concert info here.
The Five Lines starting point is the staff; the lines that are home to the notes and determine their identity. Unlike music notation, these lines bend, loop, and cross to become somewhat representative of the themes of each piano piece. They were initially intended to be part of the paintings, but my ideas took a turn and they remained independent pieces.
The Scenes paintings are layered colour, figures, and objects partially obscured by the mists of memory and shadows. In A World Elsewhere Wayne Johnston writes about early childhood memory this way:
Landish told him that you passed from the Womb of Time into what he
called your birth "Murk", which was the interval between your "commencement
screech" and the first moment of your life that you remembered. No two Murks
were of the same duration.
The figures in these paintings are not all pre-memory age, but adults have a difficult time pinning down aspects of their childhoods (not to mention what happened last month). The figures are placed in a world of colour, randomly applied. Objects - collections - appear, as do shadows; there is a little darkness in everyone's childhood. And there are obscuring layers of white, erasing some details and fogging others.
The paintings might be described as quiet. That will be perfect if they help the viewers hear.
Concert info here.
Thursday, 16 October 2014
Monday, 13 October 2014
Monday, 6 October 2014
Saturday, 27 September 2014
Chemo Pages
The following crown binding and pages were sent over a 6 month course of a family member's chemo treatment. There are 8 pages, sent to arrive during the "off" week.
page 1
page 2
page 3
page 4
page 5
page 6
The sign says "No exhibits beyond this point". It is in a museum coat room.
page 7
page 8
Monday, 8 September 2014
4
For a precious 4 year old:
The signs look a little slanted. When they are glued after transit via the post they will stand up straight. The little figure on a tractor can be moved along the green lines.
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